Showing posts with label Scarlett Johansson. Show all posts
Showing posts with label Scarlett Johansson. Show all posts

Sunday, June 29, 2014

Under The Skin

Director: Jonathan Glazer
With: Scarlett Johansson

First of all, Under The Skin's movie poster is sublime that I almost didn't want to destroy it by putting Plums below it. But that's my thing, even I feel sorry for it. Second, I am amazed by Scarlett Johansson's choices in roles lately. In 2013, she had two unique characters in Her as Samantha and Don Jon as Barbara Sugarman in which she nailed both of the characters so well. At least in my book, where both characters made my Top 60 Best Characters and the latter entered my list of Top 10 Best Supporting Actress Performances. :3 

I guess it helps that she's Charlotte in my favorite film of all time. ;) Plus, she's freaking ScarJo.

In Under the Skin, she portrays yet another challenging and unique role. This time, she's an alien seductress who targets men in Scotland while being monitored by another alien who has the body of a motorcyclist. And just when I thought her amazing imitation of a New Jersey girl was sort of a fluke because she's not that known to doing those kind of acting, here she speaks with a European accent and I thought she's great.

But what's most impressive to me is Jonathan Glazer's direction. I've read so much about the techniques Glazer used in this movie prior to watching so when I finally got to see it in action and execution, it made me more dazzled. The fact that most of the characters were played by non-actors and many of the dialogues are unscripted, and they all worked so well? That's a true achievement in filmmaking because the luring of ScarJo's character actually requires some amount of flirtations. It became so much more genuine by choosing non-actors while being shot in hidden cameras and it worked quite well in this. I thought that part was genius.

I also like its gloomy cinematography and the score was hauntingly iconic, but overall it's also quite dragging because the buildup was so slow albeit necessary to the film. With a title like Under The Skin, I expected ScarJo's character to reveal her true self/color midway through the film with a climax that's super astounding. Unfortunately, the reveal was the climax itself and also the ending, so I had to wait for the whole movie to progress before seeing the scene I was looking for ever since the film began. The wait is long but I can say that it's also worth it.

It's not too shabby because the buildup may be too slow, but ScarJo's commanding presence both herself and her character engaged me to continue. Not to mention, aside from Matchpoint and Vicky Cristina Barcelona, I consider this as one of her sexiest to date. She bared a lot of skin here.

I guess it's my fault that I came into watching it with some expectations. I should just be thankful that it's not like Jennifer's Body where ScarJo morphs into an ugly monster from time to time in the film. In this film, the portrayal of the alien story was made with such delicacy and style and that's something I appreciate about it.

This is such a different and artistic take on an alien film that it reminds me of Only Lovers Left Alive to vampires. I still consider this a must-see because it's edgy, haunting, sexy and a true work of art. But if you're short in patience, then I don't know. I guess you should still see it for some ScarJo sexiness.

Wednesday, February 26, 2014

Top 10 SUPPORTING ACTRESSES of 2013

  


10. Octavia Spencer as Wanda Johnson - Fruitvale Station
In Fruitvale Station, Octavia Spencer showed that there's no need to burst out crying to depict a sorrowful mother mourning for her son's loss. Her restraint and calmness in the midst of a family crisis is admirable. Octavia Spencer after winning the Oscar for Best Supporting Actress two years ago seems like she now knows how to stand out as an actor and there's no looking back, Spencer got my respect.


9. Margot Robbie as Naomi Lapaglia - The Wolf of Wall Street
I love how Margot Robbie introduced herself in the movie world in such a huge way last year. Appearing in two of the best films of 2013 -- About Time and The Wolf of Wall Street, she morphed into the who-girl into the it-girl. Of course she still has more to prove but her performance as Jordan Belfort's wife Naomi showed her promise as an actress. Her Brooklyn accent is brilliant and to be quite honest, I didn't see that she's capable of a worthy performance when I watched her in About Time.


8. Sarah Paulson as Mary Epps - 12 Years a Slave
Like Michael Fassbender in 12 Years a Slave, Sarah Paulson gave something appealing in a role we're supposed to be detesting. As a wife seething with jealousy towards one of their slaves, Paulson channeled this role with absurdity behind a great amount of elegance. Paulson proved in 2013 that she can succeed even outside television. Her work in Mud and 12 Years a Slave are good enough for her to hopefully land a future lead role.


7. Melissa Leo as Holly Jones - Prisoners
Damn, I LOVE Melissa Leo in Prisoners! The fact that she's not getting a lot of recognition for her work here as an old mysterious suburban lady with a dark motive I would never understand. Solely through Melissa Leo's acting, she can make us scared, laugh, sympathize, provoked, name it. And even if she's kinda awkward in real life, there's no doubt that Leo is one heck of an actor.


6. June Squibb as Kate Grant - Nebraska
I'm not crazy about June Squibb's performance in Nebraska but I find it impossible not to be smitten by her. With the help of Bob Nelson's screenplay and Payne's direction, they made the most out of June Squibb's potential. I think Squibb's personality in real life made Kate Grant a little more charming and hilarious rather than annoying and shrew, making her the most memorable in Nebraska.


5. Jennifer Lawrence as Rosalyn Rosenfeld - American Hustle
I may be unimpressed with Jennifer Lawrence's Jersey accent but only fools can deny the incredible talent of this woman. She's unstoppable. She has swag in real life but also translates it in films. Rosalyn turned out to be the most awesome character in a film with many OTT characters and that's because of JLaw's ability to steal every scene she's in. For me, she still hasn't surpassed her performance in Winter's Bone but I know that she's still capable of topping it. I'm looking forward for her return in doing serious roles instead of comedies.


4. Scarlett Johansson as Barbara Sugarman - Don Jon
It's sad that ScarJo is getting more recognition for her voice over role when she's better in the greatest role of her lifetime in Don Jon. :( She's impressive as a voice actor in Her but her everything in Don Jon is miles better. It's unbelievable how she can change her accent so natural and believable like how Meryl Streep does her millions of accent. Only few actors can achieve that and ScarJo is now one of them. Funny thing is, I don't think that she tried hard and she just enjoyed her role or she's just really good at it that she made me think that way.


3. Annika Wedderkopp as Klara - The Hunt
 I've campaigned my ass off to put this young but INSANELY ASTONISHING actress to spotlight but I failed miserably. Wedderkopp, in my book, brings a lot of mature actress to shame because she can portray maturity better than most actors. The fact that she seems like she knows what she's doing in a film involving molestation, penis and other mature stuff, that's just WOW.


2. Léa Seydoux as Emma - Blue is the Warmest Color
Léa Seydoux is frickin fantastic in Blue is the Warmest Color! Knowing that she's actually a very feminine person makes her even more fantastic because in Blue, she's believable as a lesbian, the manly lesbian. She carried some of my favorite scenes in Blue, one of which is when she first met Adele in a gay bar. She's striking and as I am typing this, makes me want to watch Blue is the Warmest Color all over again. Oh yes I will!


1. Lupita Nyong'o as Patsey - 12 Years a Slave
Lupita gave us one of the most unforgettable scenes ever! Patsey's whipping scene still astounds me to this day for how brutal it was. The emotions and the pain she brought to Patsey during that scene was so raw and out of this world. And with that, I think she easily blows everyone away. I also love the tiniest details in her acting. Her dance, her way of holding the macaron, her way of eating it, her whistles, her passionate delivery of her lines. Her acting screams passion and while that doesn't always translate to a great performance, it's something that she possesses that helps her portray a character that deserves to have one. I hope Lupita wins come Oscar night.

Other Rankings:

Tuesday, February 11, 2014

MOVIE WRITEUPS: Rush, Her and August: Osage County


Rush

Director: Ron Howard
With: Daniel Brühl, Chris Hemsworth, Olivia Wilde, Alexandra Maria Lara

Not gonna lie, I thought Rush would be trash that's why I didn't watch it in the cinema when it came out. I had all the chance but thought that it's going to be irrelevant and didn't believe that it would excel even if I heard and read a lot of good things about it. I didn't suppose that a film about F1 racers would earn so much support from the critics and other award giving bodies so I ignored it. Ha! I've mentioned so many reasons but the primary reason is that I really just dislike Chris Hemsworth.

Chris Hemsworth proved to be a decent actor though, and his haters, if there are any aside from me, should give him a second chance. I thought he's adequate in capturing the happy-go-lucky playboy persona of James Hunt. He can be awkward at times but the change of accent and dramatic attempts are laudable. He doesn't irk me anymore. Howbeit, the reason why I loved the movie so much is the character, Niki Lauda and how committed Daniel Brühl was in portraying this not so likable yet disciplined German racer. Brühl achieved something that not many actors can do and that is by making an unlikable character lovable. Meryl Streep and Emma Thompson come to mind when I think of that quality and  he is a nice addition to this line of actors :)). I can't believe that I almost didn't see it because watching Brühl act is such a treat and Niki Lauda the character is just equally captivating.

The first half of the film may seem like a generic biopic but the second half is not only exhilirating with the action and racing scenes but it's also striking because of the twist in the story and relationship of the main characters. It's receptive even to viewers who had no idea about Formula1 racing. Love the touch of computer game text effects during their races as it adds up to its entertainment value. The editing, the score, all commendable and if there's a Hans Zimmer score for 2013 that deserves recognition, it's his work here and not for 12 Years a Slave. Seriously. I'm not crazy about it but it's miles better than the latter. Some of its visual effects are kind of lousy though.

Rush should have gotten more recognition. It's a shame that it didn't have any nominations in the Oscars, especially Brühl's performance as it's not only competent and deserving to be nominated, it's really one of the best performances for films in 2013. And the fact that he's categorized as supporting is a travesty as Rush is probably more about Niki Lauda's story than James Hunt.

Her

Director: Spike Jonze
With: Joaquin Phoenix, Scarlett Johansson, Amy Adams, Rooney Mara, Olivia Wilde, Chris Pratt

"We're only here briefly. And while I'm here, I wanna allow myself joy. So fuck it."

"I think anybody who falls in love is a freak. It's a crazy thing to do. It's kind of like a form of socially acceptable insanity."

Spike Jonze gave Amy Adams a weird hairdo and weird fashion style but man, he also gave her some of the memorable film quotes there is.

As mushy as those quotes sound, Her centers around a lonely guy named Theodore Twombly who's just recently gone through divorce so that's already an indication why the film is sentimental. Sounds so basic, right? But Spike Jonze is everything but basic. See Jonze's past films - Being John Malkovich, Adaptation, Where The Wild Things Are. So to make things interesting, (as we all know already) he injected an OS with a female voice and personality to Theodore's life and eventually, Theodore developed a relationship with 'Her'. Her name is Samantha.

Cool? Sure. I loved this idea and Her became one of my most anticipated films of 2013 because of that super interesting plot but as I was finally watching it and seeing things unfold, I felt like I need to be rescued because it's kind of starting to feel ridiculous, opposite from what I've expected. I realized, what's going on with Theodore is actually kind of creepy. Am I the only one who feels that way? Probably. I just can't fathom the idea of a human emotion being invested to an artificial one. And this is from someone who thought that it's an interesting concept. It just so happen that after seeing the execution that I realized it's cweepy.

Nothing against out of this world ideas. Heck I love About Time, a film that involves time travel. Plus, I don't necessarily hate or at least dislike the film. I'm conflicted about it. On one hand, it's awesome visually and technically. The color palettes are pretty, great cinematography, one of the best scores for 2013 films. Spike Jonze is a genius for creating a future world with sophisticated technology that makes his viewers yearn to live in that time. On the other hand, I fail to see the achievement in his story. Its aim is to grasp his audience emotionally but that's hard when the emotions are robotic and absurd. Perhaps, this is when the 'insanity' enters the equation. Insane indeed. But I'm really having a hard time devoting any deep or serious emotion towards the film. It's not a good sign when I'm laughing in some of its most intense parts - OS sex, OS saying 'fuck you', OS surrogate, OS falling in love with 600 plus other OS. :/ I gotta give Spike Jonze credit though because this is what people are interested to see and Spike Jonze gave it to them.

Then again, I appreciate a lot of its aspects. It actually reminds me of Jonze's ex-girlfriend, Sofia Coppola's Lost in Translation - the ethereal vibe, the city lights, emphasis in loneliness and silence, the dimness of colors. Exquisite! And I would rather see more films like this wherein the director is not afraid to take risks, to take his viewers to a different world. I'd rather be surprised or have a commotion to the story than witness a predictable one where there's nothing to talk about. I should just be thankful that Spike Jonze didn't go beyond what's already beyond and that is by making Samantha turn into a real human being ala Pinnochio. :)) I may have some problems with what occurred in the film but overall, Her is gratifying.

August: Osage County

Director: John Wells
With: Meryl Streep, Julia Roberts, Juliette Lewis, Julianne Nicholson, Chris Cooper, Ewan McGregor,
Margo Martindale, Dermot Mulroney, Abigail Breslin, Misty Upham, Sam Shepard

The film tells the story of the women of the Weston family whose lives have strayed until a family crisis reunited them back to the house they grew up in and all their hardships, secrets, imperfections and things they have left behind have been awakened. Meryl Streep plays Violet Weston, the filthy-mouthed, pill-popping mother of Barbara, Karen and Ivy played by Julia Roberts, Juliette Lewis and Julianne Nicholson respectively. It is these actresses that brought life and chaos to this conflict-filled play turned into film by Tracy Letts.

Overwhelming. With the star-studded cast and numerous clusterfuck plots that filled the film, it surely makes for an entertaining flick. But as promising and fun as it sounds, it's also immensely negative. There's been a lot of feel bad movies I've watched before, like Young Adult, Amour, Oslo: August 31st, Blue Valentine, the list goes on but this film might be one of the most horrible of them all. It all depends in your background. You either see your own family in the Westons or you're just thankful that you have a different family compared to them. Either way, it leaves a bad taste in your mouth. It's enough that we hear or witness family arguments in real life, but August: Osage County provokes us to recall these bad memories. In this film, you'll hear several words like ingrate, hypocrite, idiot and more. And now, just by thinking about it, makes me want to STOP them from fighting and saying these hurtful words :333. Trufax.

It probably got me too much but I've been in a lot of family gatherings when I saw this film and I just can't help but see some of our own shambles to it. Thinking about it, I'm pretty sure most of us, if not all, could relate to a few things 'bout the film and it's just harrowing to know how hardships can damage our lives, especially when it comes from our family. But enough about me, let's talk about their performances because I also consider this film a performance driven one.

Call Meryl Streep overrated but she's the best aspect of the film. I could repeat and say that she can go on and on and act for hours and I'll just watch her and feel blessed a hundred times but that's really what she makes me feel :3. Despite the negative nature of her role, she just brings me pleasure whenever she acts. Her screams, her antics as Violet Weston are amazing and call it cliché, but my favorite scene of the whole film is the funeral dinner scene and it's also because of her. Sometimes, I feel like Meryl Streep is secretly a bad person because she's so brilliant in portraying one :)). Julia Roberts as Barbara is also impressive. I'm not wow'd by her but her transition from the goody goody, funny and glamorous characters into the Barbara Weston kind of character is really commendable. No make up, she somewhat looked old, she looked bad  as a character and she owned it. Streep and Roberts carried the film for me that I didn't notice the film's imperfections. The ensemble as a whole is praiseworthy.

If you're into dramas, August: Osage County will not disappoint you. It's one that will may make you feel bad because of its content, but will also make you feel good because of the wonderful performances from start to finish. I'm having a hard time categorizing it as a comedy despite some of the funny lines but the negative content is really overpowering that it negates all the jokes it possesses.

Saturday, December 7, 2013

NOVEMBER 2013: The Past, Chasing Ice & Jiro Dreams of Sushi

The Past

Director: Asghar Farhadi
With: Bérénice Bejo, Tahar Rahim, Ali Mosaffa, Pauline Burlet

Asghar Farhadi is quickly climbing up the top of my favorite directors list. Just less than two years after his excellent A Separation, he's able to create yet another brilliant piece in The Past.

A Separation is my number 1 favorite film of 2011 so I was sure that The Past will probably turn out to be an inferior film between the two. But while I prefer A Separation, The Past proved to be another masterpiece by the Iranian director and screenwriter. He's so good in building up characters and stories that twists and turns and new angles never stop coming as the film progressed. Each character, even the most random ones, carry heavy feelings within them without being over the top and Farhadi's storylines are always inclined with reality which I appreciate. He's so keen in small details and I always like that about him because those elements become necessary for the totality of the film, making each scenes and aspects, even the smallest ones, important. What's more impressive is that he does it without extravagant shots and scores in the background and still manages to make the film more compelling. He's really impressive and I won't be surprised if his work gets nominated again in this year's Oscar.


Bérénice Bejo is so beautiful in this film and she acted wonderfully as well. I didn't like her in The Artist but I've found new respect in her because of The Past. May I also mention that she's super gorgeous that even if her character is not the most pleasant character you'll encounter, everything is forgiven because her beautiful face is just irresistible. Her co-actors Tahar Rahim and Ali Mosaffa were also great.

The film is flawless and I can't wait to see more films of Farhadi in the future.



Chasing Ice

Director: Jeff Orlowski
With: James Balog

One afternoon I decided to rewatch the 85th Oscar Awards ceremony. It was then when I realized how beautiful Scarlett Johansson's cold voice in the Academy Award nominated original song 'Before My Time' featured in the documentary Chasing Ice. The song alone made me want to watch it.

Chasing Ice conveys two contrasting stories - one is how ridiculously beautiful the calving of glaciers look like and second, how spookily alarming the effects of these beautiful events to our entire planet. Documentaries about climate change is ubiquitous that Chasing Ice is probably the fourth or the fifth documentary I've seen this year that tackles it. But Chasing Ice is probably the most committed as it shows actual events of the changes in our planet. It relied minimally on charts, graphs and reports and instead, a team lead by James Balog endured the extreme climates in Iceland, Greenland, Alaska to document the harrowing events that take place in the glaciers of these areas within a short period of time. Like what James Balog said, upon thinking of Global warning, the first thing that came to his mind was Ice and he pursued it, not only for the love of photography, but also to show the naysayers of climate change.

But enough about the climate change. Because despite thinking that Chasing Ice probably has the most evidence of the rapid shift of climate among all documentaries I've seen, I don't think that it's the most effective. The material in this documentary is too beautiful to focus on their aim. It also doesn't help that I'm a fan of nature so watching this made me focus solely on the beauty of nature. All I can say is that glaciers are amazing and way to go James Balog




Jiro Dreams of Sushi

Director: David Gelb
With: Jiro Ono, Takashi Ono, Yoshikazu Ono

I never liked Sushi nor I was interested in watching anything about it, so I wasn't that intrigued to watch this documentary when it was recommended by a friend. But I watched it anyway and I must say that it's highly enjoyable.

Jiro Dreams of Sushi is about Jiro Ono, an 85-year-old sushi master chef who owns a Michelin three star restaurant Sukibayashi Jiro in Japan. It also follows his two sons, both of whom are also sushi chefs - Yoshikazu, the elder brother is obligated to succeed his father's legacy and Takashi, who opened a mirror version of his father's restaurant. The documentary also features Jiro's customers, critics, apprentices, friends and local suppliers.

Matched with the notable scores of Phillip Glass and other classical music, glossy shots of Jiro's restaurant despite being small, and simple yet mouth watering sushis of Jiro varying from eels, gizzards, squid, eggs, urchins, shrimps, lean, medium and fatty tunas, this documentary is such a pleasure to watch. Everything about it is so fascinating - from Jiro's tales about his history, to the engaging stories of his sons and colleagues, everything falls into Jiro's greatness. This documentary doesn't only rest on fascinating its viewers, but it also inspires with Jiro's great practices and wisdom. It's about honing your skills and pursuing your passion as it showed not only the stories of the people on top of the restaurant's hierarchy, but it also showed the beginnings of the apprentices working in Jiro's restaurant. Jiro adds to the list of successful and iconic men who did not excel in school but climbed up the ladder of success through hardwork, skill and exquisite approach in pursuing his strong interest. It's truly inspirational.

This documentary succeeds in entertaining and inspiring its viewers and even to its last few scenes, it amazes us with Jiro's touching twist. Kudos Jiro! One day, I'll visit your restaurant and I hope to meet you.

Saturday, November 2, 2013

OCTOBER 2013: Gravity, Coming Soon, Captain Phillips and Don Jon

October has passed and I've only added 8 to the films I've watched for the first time this year. Few compared to my last 3 months but I've watched two big films in Gravity and Captain Phillips.




Gravity
Director: Alfonso Cuarón
With: Sandra Bullock, George Clooney
  







Coming Soon
Director:  Sophon Sakdapisit
With: Vorakan Rojchanawat, Sakulrath Thomas, Chantavit Dhanasevi

Around 10 years ago, I'm crazy about Asian horror films. From Ringu to The Grudge to The Eye to Shutter, and even our own horror films like Feng Shui and Sukob :3, they are all fun to watch. In 2008, Thai horror film Coming Soon was released and I just saw it this October through a stay over with friends. They always talked about how Shomba, the main ghost in the film, is scary. I can't help but associate her name to Shomba Rhimes and Shombadings though, it already has to fill that aspect that I find funny and convert it to scary.

Horror films are always allowed to expand the possibilities of natural occurrences and Coming Soon did that. The concept of the film is actually pretty fresh. It's a horror film within a horror film. However, I think the direction relied too much on the concept but didn't explore to its full potential. It has some impossible plots but I've accepted all of those. Why not? Even Sadako came out of the TV screen and managed to scare the hell out of me. The Ring is very effective because of those crazies. I wish Coming Soon just consistently pushed the boundaries of having unimaginable tricks without looking back. But for me, it was just safe and inconsistent with several frights. I love that its unpredictable though, it's just not that Oh my scary.

What I got from watching this though is something rewarding, I finally met Shomba. :3





Captain Phillips
Director: Paul Greengrass
With: Tom Hanks, Barkhad Abdi









Don Jon
Director: Joseph Gordon-Levitt
With: Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore


Thursday, October 24, 2013

Don Jon: Not all about sex, porn and comedy

Don Jon

Director: Joseph Gordon-Levitt
With: Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore


It makes me wonder why Joseph Gordon-Levitt would direct, write and star in a film like Don Jon aside from the fact that it's about porn and his leading lady is Scarlett Johansson, which is pretty self-explanatory. I am not sure about the message he wants to address though. Is it about the bad sides of being addicted to porn? Is it about love, life and the internet? Is he trying to create the funny and light version of Steve McQueen's Shame? or he just wants to create a film with a subject that he knows people will enjoy? Why choose New Jersey as the setting? I should probably do my research on that. But I just find it odd that he chooses to direct something like this.



'Don Jon' is about an old-fashioned, disciplined, vain, Jersey guy, Jon Martello, who cares only for a few things: his pad, his car, his family, his church, his boys, his chicks and most importantly, his porn. He finds watching porn better than doing the actual 'deed' with, as he refers to, "the real pussies". When Barbara Sugarman (Scarlett Johansson) came to his life, he struggles between his true love and new love - porn and Barbara.

This is Gordon-Levitt's writing-directing full feature film debut and while it's far from being perfect, he showed his distinctive and playful style in his screenplay and direction which is pretty admirable. The film showed repetitive sitcom styled plots with hints of mystery c/o Julianne Moore's character, Esther, wherein at first, one would think that the course of the film is going nowhere. But Gordon-Levitt surely knows where the film is heading and he succeeds in putting a closure, or should we say, a 'development', to Jon's porn addiction.



Gordon-Levitt created a variety of characters in this film which is easily my favorite aspect of the film. Each character is unique and they all bring something to the table -- from Don Jon's friends who always look for women in bars and grade them from zero to dime, to Don Jon's family consisting of a tough father who mirrors his love for chicks, a gentle loving mother and a quiet sister who always checks her smart phone like the usual teenagers in this generation. But the real gems are Don Jon, Barbara and Esther to which Joseph Gordon-Levitt, Scarlett Johansson and Julianne Moore humorously characterized in this film. Gordon-Levitt displayed his never failing charisma. This time, as a porn addict, chick magnet that's very reminiscent of Neil Patrick Harris' Barney Stinson in How I Met Your Mother. It also helps that NPH and JGL have the same overconfident and naughty expressions on their faces whenever they turn on their manly buttons. While I saw nothing new in Julianne Moore's performance in this, she's proven in so many films already, that whenever a casting director needs a middle aged woman willing to be fucked by a woman, a man or whoever and whatever his/her age is, she's always open ;) to portray that role with no shame, and her character in Don Jon is not an exception. Scarlett Johansson is my favorite though. Whatever she's doing with her accent, which the film has implied that it is a heavy Jersey accent, she played it pleasantly entertaining. She is almost effortless with this flirtatious and sexy yet kind of obnoxious JAP from hell character, but managed to make it fun and lovable. She's 75% why this film is entertaining. And her hotness still leaves everyone breathless, especially in one of her scenes with JGL in the hallway. Oh my! It is apparent that they all enjoyed their characters.


My friend said that this is a guy-flick but thinking about it, it's actually no different to other chick flicks. While the first half reeks of machismo, sex and grown men stuff, the second half kind of negates all of those things by including sappy and serious materials in the film. It would have been better if Gordon-Levitt maintained the level of virility throughout the movie. He obviously tried to stay that way but he focused more on the turnaround of Jon-Barbara-Esther's relationships and Don Jon's overall growth. We should have been warned before watching the film that this is not all about sex and comedy.