List of To-Watch Films for Post Oscar blues

That Maya feeling after Usama Bin Laden was finally captured and killed in Zero Dark Thirty. That's what I feel about the end of this Oscars season. LOLJK but it's close ;_; and now that we're starting over again for 2014 films, most of the films to look forward to are not going to be released anytime soon.

So for now, I made a to-see list of films from the past years while waiting for the next awards season. This list is heavily influenced by the things I've learned, read, heard and everything from the recently wrapped up 86th Acadamy Awards. Here they are:

What's Eating Gilbert Grape?

I've read a lot of articles and comments about this film since the beginning of Leo's buzz for Wolf. This film garnered him his first Oscar nomination and some even say that his performance in this is his best ever and worthy of a win. I'll never know how true is that but if it is indeed a robbed performance then poor Leo. When will he win an Oscar? Oh well, if it happens in the near future (or in the far future), I just know that it'll be sweeter for him, and for his loyal fans as well.

Capote

I know! I know! It's such a shame that I haven't seen this yet. Truth is, I never bothered reading anything about Capote before because... :/ I didn't care. I had no intentions of seeing this even if I know that it's critically acclaimed. I was never highly impressed by anything I've seen from him anyway. Thought he's just okay. But after seeing Phillip Seymour Hoffman's name for his performance in this in many best performance lists, it made me curious.  So I searched this on Youtube and WOW! He's AMAZING!!! Also, he just recently passed away so I consider this a viewing tribute for him.:3

Who's Afraid of Virginia Woolf?

This film has been in my hard drive for several years now but I keep on ignoring it because it looks too serious. The title piques my curiosity though. Is it about Virginia Woolf or what? So after seeing August: Osage County, which is also based on a play like Woolf, I realized that I might enjoy this like how I enjoyed August. The fact that Woolf has better reviews and has a great legacy makes me think more positive about the film.

Happy-Go-Lucky

I've read this years ago in forums and even planned of watching it but completely forgotten about it because I guess it's not that memorable. Sally Hawkins recent awards recognitions just reminded me again that I should see it. Unlike many, I find Hawkins' performance in Blue Jasmine as just okay so I hope Happy-Go-Lucky will change my opinion of her and I'm sort of positive it will especially she's the lead in it.

Manhattan

Woody Allen is the latest recipient of the Cecil B. DeMille Award in Golden Globes and during that segment, they showed a montage of Woody Allen films. Manhattan quickly captured my attention. The fact that Meryl Streep is in this is just a bonus. Meryl + Woody = what more could I ask for? I have all the reasons to watch this and the fact that I haven't yet, I will never understand.

Groundhog Day

This film is dubbed as one of the best comedies of all time, and one of the best films of 1993. And that says a lot because 1993 brought us films like Schindler's List, Philadelphia and Jurassic Park, to name a few. It's also directed by Harold Ramis who just recently perished, someone I didn't know before he died. :( But anyway, the premise sounds interesting and the lead is Bill Murray, one of my favorite actors so it just makes sense for me to see this film.

Citizen Ruth

I realized that I've seen all Alexander Payne's films except for this. And when I researched for this, it looks like it's light and fun that it wouldn't be a chore to sit down through this film. I say, why not?

Skyfall

I actually should have seen this last year since it's nominated in 2 or more Oscar categories. But I haven't seen any James Bond film yet so I was kind of hesitant. A year has passed and I'm still procrastibating. This year, hopefully I'll be able to watch it since a friend also recommended me to see it. His reason? cinematographer Roger Deakins who's nominated for this film and for Prisoners as well.

Grave of the Fireflies

I become interested in seeing Japanese animated films because of The Wind Rises and aside from it, I heard LOTS of good things about them. I haven't seen Wind yet but I watched its 5 minute-trailer. It made me search for other Japanese animated film trailers and from watching clips and reading viewers' comments, one of the most popular suggestion is this, Grave of the Fireflies. This seems deep, and not in the usual Pixar animated films deep, but 'seriously deep' and that got me curious because it's an animated film and I think it's hard to achieve that quality through animation. We'll see.

Cape Fear

Juliette Lewis impressed me in August: Osage County but I gotta admit that I've never heard of her before :/, the fact that she's been nominated when she was younger made me want to see that performance and voila! it's Cape Fear directed by Scorsese. If I watch this, I realized that I'll gain more insights about Scorsese's filmography and that would be a treat as I find almost all of his films with great quality. It also has Jessica Lange who I've never seen in a film before.

Tootsie

Speaking of Jessica Lange, I'm not an avid viewer of American Horror Story but I trust the TV series fans when they say that she's one of the best actress there is. I've seen a number of episodes of it and she's really good. I even read an article saying that she's the counter actress to Meryl Streep. :/ This film gave Lange her first ever Oscar so that urged me to see it. Then, I also saw Chile's Oscar submission Gloria and I read some articles that indicate Gloria's eyeglasses being reminiscent of Tootsie's. Made me curious so I'll watch this.

I'm Not There

Bob Dylan, Cate Blanchett, Christian Bale. I've read about this before and watched its trailer even but I didn't plan on watching it. It didn't have enough rave for me to see it but one time, I was bored after reading Oscar related articles that I happen upon some clips I've never seen before of I'm Not There. It looked way interesting than its trailer. Perhaps, this is the time to see it since Cate Blanchett was also praised for her work in this. I mean, she acted as Bob Dylan for cryin out loud. I want to compare which Blanchett performance is the best so this is a must-see.

Children of Men

I've already watched this before. In fact, I'm midway through finishing the film but I fell asleep. I find it interesting but I was just so tired when I watched it so I think this year, alongside celebrating Cuaron's Gravity success, it's about time I finish his other critically acclaimed film. Oh, and it's quite a fun fact that Chiwetel is in this. ;)

Junebug

Like Leonardo DiCaprio, Amy Adams has been nominated several times but has never won. She seems like she's stuck being a runner up and some people even say that she's cemented in 5th place lol. She's becoming the new Julianne Moore. No worries though because she's the lead in the upcoming Oscar baity film of Tim Burton, Big Eyes. I don't wanna jinx it so let's just hope that it will not end up being a flop since.. you know, Tim Burton.. lately. But anyway, a lot of people say that her first Oscar nomination which is for this film is the only deserving one, even deserving of a win they say. I've seen all of her Academy Award performances except for Junebug so maybe 2014 is the year for me to see this.

Spanking the Monkey

I don't know which of the first three feature films of David O. Russell should I watch first. Spanking the Monkey? Flirting with Disaster? or Three Kings? I've never heard of these films before DOR became one of the most known directors of our generation so I just randomly chose Spanking the Monkey. As some people know, I'm not the biggest O. Russell fan. My love for JLaw decreased because of him. The fact that he was nominated for Best Director three times in four years and managed to get all of his actors nominated in the 4 acting categories for 2 consecutive years, I don't know. It's unbelievable and undeserved. But since American Hustle painfully lost all its 10 nominations after having the most nomination count in the last Oscars, and Lupita beat JLaw, and Spike Jonze beat O Russell, everything is now forgiven. :3 I don't hate him anymore. In fact, I gotta admit that I really like The Fighter but I really dislike Huckabees and SLP & Hustle are just okay films for me. So there.. cheers to new start.

This list also includes United 93, Elizabeth, Pretty Woman, My Neighbor Totoro, Howard's End, Sense and Sensibility (which I can't find the energy to finish), Steel Magnolias and probably more. No one knows if I'll be able to see all of these but I'm really curious and excited to see most of them.

There you have it! Do you have other films to recommend? What old films are you planning to see this year?

MOVIE WRITEUPS: Rush, Her and August: Osage County

Rush

Director: Ron Howard
With: Daniel Brühl, Chris Hemsworth, Olivia Wilde, Alexandra Maria Lara

Not gonna lie, I thought Rush would be trash that's why I didn't watch it in the cinema when it came out. I had all the chance but thought that it's going to be irrelevant and didn't believe that it would excel even if I heard and read a lot of good things about it. I didn't suppose that a film about F1 racers would earn so much support from the critics and other award giving bodies so I ignored it. Ha! I've mentioned so many reasons but the primary reason is that I really just dislike Chris Hemsworth.

Chris Hemsworth proved to be a decent actor though, and his haters, if there are any aside from me, should give him a second chance. I thought he's adequate in capturing the happy-go-lucky playboy persona of James Hunt. He can be awkward at times but the change of accent and dramatic attempts are laudable. He doesn't irk me anymore. Howbeit, the reason why I loved the movie so much is the character, Niki Lauda and how committed Daniel Brühl was in portraying this not so likable yet disciplined German racer. Brühl achieved something that not many actors can do and that is by making an unlikable character lovable. Meryl Streep and Emma Thompson come to mind when I think of that quality and  he is a nice addition to this line of actors :)). I can't believe that I almost didn't see it because watching Brühl act is such a treat and Niki Lauda the character is just equally captivating.

The first half of the film may seem like a generic biopic but the second half is not only exhilirating with the action and racing scenes but it's also striking because of the twist in the story and relationship of the main characters. It's receptive even to viewers who had no idea about Formula1 racing. Love the touch of computer game text effects during their races as it adds up to its entertainment value. The editing, the score, all commendable and if there's a Hans Zimmer score for 2013 that deserves recognition, it's his work here and not for 12 Years a Slave. Seriously. I'm not crazy about it but it's miles better than the latter. Some of its visual effects are kind of lousy though.

Rush should have gotten more recognition. It's a shame that it didn't have any nominations in the Oscars, especially Brühl's performance as it's not only competent and deserving to be nominated, it's really one of the best performances for films in 2013. And the fact that he's categorized as supporting is a travesty as Rush is probably more about Niki Lauda's story than James Hunt.

Her

Director: Spike Jonze
With: Joaquin Phoenix, Scarlett Johansson, Amy Adams, Rooney Mara, Olivia Wilde, Chris Pratt

"We're only here briefly. And while I'm here, I wanna allow myself joy. So fuck it."

"I think anybody who falls in love is a freak. It's a crazy thing to do. It's kind of like a form of socially acceptable insanity."

Spike Jonze gave Amy Adams a weird hairdo and weird fashion style but man, he also gave her some of the memorable film quotes there is.

As mushy as those quotes sound, Her centers around a lonely guy named Theodore Twombly who's just recently gone through divorce so that's already an indication why the film is sentimental. Sounds so basic, right? But Spike Jonze is everything but basic. See Jonze's past films - Being John Malkovich, Adaptation, Where The Wild Things Are. So to make things interesting, (as we all know already) he injected an OS with a female voice and personality to Theodore's life and eventually, Theodore developed a relationship with 'Her'. Her name is Samantha.

Cool? Sure. I loved this idea and Her became one of my most anticipated films of 2013 because of that super interesting plot but as I was finally watching it and seeing things unfold, I felt like I need to be rescued because it's kind of starting to feel ridiculous, opposite from what I've expected. I realized, what's going on with Theodore is actually kind of creepy. Am I the only one who feels that way? Probably. I just can't fathom the idea of a human emotion being invested to an artificial one. And this is from someone who thought that it's an interesting concept. It just so happen that after seeing the execution that I realized it's cweepy.

Nothing against out of this world ideas. Heck I love About Time, a film that involves time travel. Plus, I don't necessarily hate or at least dislike the film. I'm conflicted about it. On one hand, it's awesome visually and technically. The color palettes are pretty, great cinematography, one of the best scores for 2013 films. Spike Jonze is a genius for creating a future world with sophisticated technology that makes his viewers yearn to live in that time. On the other hand, I fail to see the achievement in his story. Its aim is to grasp his audience emotionally but that's hard when the emotions are robotic and absurd. Perhaps, this is when the 'insanity' enters the equation. Insane indeed. But I'm really having a hard time devoting any deep or serious emotion towards the film. It's not a good sign when I'm laughing in some of its most intense parts - OS sex, OS saying 'fuck you', OS surrogate, OS falling in love with 600 plus other OS. :/ I gotta give Spike Jonze credit though because this is what people are interested to see and Spike Jonze gave it to them.

Then again, I appreciate a lot of its aspects. It actually reminds me of Jonze's ex-girlfriend, Sofia Coppola's Lost in Translation - the ethereal vibe, the city lights, emphasis in loneliness and silence, the dimness of colors. Exquisite! And I would rather see more films like this wherein the director is not afraid to take risks, to take his viewers to a different world. I'd rather be surprised or have a commotion to the story than witness a predictable one where there's nothing to talk about. I should just be thankful that Spike Jonze didn't go beyond what's already beyond and that is by making Samantha turn into a real human being ala Pinnochio. :)) I may have some problems with what occurred in the film but overall, Her is gratifying.

August: Osage County

Director: John Wells
With: Meryl Streep, Julia Roberts, Juliette Lewis, Julianne Nicholson, Chris Cooper, Ewan McGregor,
Margo Martindale, Dermot Mulroney, Abigail Breslin, Misty Upham, Sam Shepard

The film tells the story of the women of the Weston family whose lives have strayed until a family crisis reunited them back to the house they grew up in and all their hardships, secrets, imperfections and things they have left behind have been awakened. Meryl Streep plays Violet Weston, the filthy-mouthed, pill-popping mother of Barbara, Karen and Ivy played by Julia Roberts, Juliette Lewis and Julianne Nicholson respectively. It is these actresses that brought life and chaos to this conflict-filled play turned into film by Tracy Letts.

Overwhelming. With the star-studded cast and numerous clusterfuck plots that filled the film, it surely makes for an entertaining flick. But as promising and fun as it sounds, it's also immensely negative. There's been a lot of feel bad movies I've watched before, like Young Adult, Amour, Oslo: August 31st, Blue Valentine, the list goes on but this film might be one of the most horrible of them all. It all depends in your background. You either see your own family in the Westons or you're just thankful that you have a different family compared to them. Either way, it leaves a bad taste in your mouth. It's enough that we hear or witness family arguments in real life, but August: Osage County provokes us to recall these bad memories. In this film, you'll hear several words like ingrate, hypocrite, idiot and more. And now, just by thinking about it, makes me want to STOP them from fighting and saying these hurtful words :333. Trufax.

It probably got me too much but I've been in a lot of family gatherings when I saw this film and I just can't help but see some of our own shambles to it. Thinking about it, I'm pretty sure most of us, if not all, could relate to a few things 'bout the film and it's just harrowing to know how hardships can damage our lives, especially when it comes from our family. But enough about me, let's talk about their performances because I also consider this film a performance driven one.

Call Meryl Streep overrated but she's the best aspect of the film. I could repeat and say that she can go on and on and act for hours and I'll just watch her and feel blessed a hundred times but that's really what she makes me feel :3. Despite the negative nature of her role, she just brings me pleasure whenever she acts. Her screams, her antics as Violet Weston are amazing and call it cliché, but my favorite scene of the whole film is the funeral dinner scene and it's also because of her. Sometimes, I feel like Meryl Streep is secretly a bad person because she's so brilliant in portraying one :)). Julia Roberts as Barbara is also impressive. I'm not wow'd by her but her transition from the goody goody, funny and glamorous characters into the Barbara Weston kind of character is really commendable. No make up, she somewhat looked old, she looked bad  as a character and she owned it. Streep and Roberts carried the film for me that I didn't notice the film's imperfections. The ensemble as a whole is praiseworthy.

If you're into dramas, August: Osage County will not disappoint you. It's one that will may make you feel bad because of its content, but will also make you feel good because of the wonderful performances from start to finish. I'm having a hard time categorizing it as a comedy despite some of the funny lines but the negative content is really overpowering that it negates all the jokes it possesses.

MOVIE WRITEUPS: American Hustle, 12 Years a Slave and Dallas Buyers Club

American Hustle

Director: David O. Russell
With: Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner

It's probably a bad omen that earlier last year, a friend recommended that I watch Goodfellas. And as I was watching American Hustle, I can't help but feel like O. Russell ripped off some styles from it -- from the way the history of the characters were presented, to the voice overs, to angry housewife, to Robert de Niro, to the trumpet-heavy musical background in the beginning. It screams second rate Martin Scorsese where Hustle is the cat to Goodfellas' lion. But that's probably just me hating on O. Russell lol. Despite that, I can't deny that it's engrossing. The number of wacky and fun scenes, I enjoyed. It's really just the ABSCAM plot that didn't soar.

The characters are crazy as their hairdos, and they're the best aspect of the film. This con film would have suffered if the characters are all sane and happy, but they're all fueled with different things - Irving (Christian Bale) is fueled by money and his adopted son, Sydney (Amy Adams) fueled by her ambition, FBI Agent Richie (Bradley Cooper) aims to be recognized in his profession, Rosalyn (Jennifer Lawrence) is hungry of love and attention, she's very insecure, and Mayor Carmine Polito (Jeremy Renner) by his goodness and willingness to help his people. These characters made more fun than they are by the ensemble's performance. Even if I think the tandems within this group lack chemistry, their acting chops are well-displayed here. It's as if David O. Russell's purpose in creating this film was to cater these actors acting abilities.

Christian Bale is the usual very in-character Bale, Bradley Cooper is surprisingly better here than his performance in Silver Linings Playbook, Amy Adams gave one of her best performances. Jennifer Lawrence is a whirlwind here. She shares the same little amount of airtime with Jeremy Renner but she definitely made sure that she stands out in the crowd. Her non-stop award nods for her work in this is a testament to her brilliance. My favorite scene in this film involves JLaw and she's also the reason why it's my favorite. It's not the living room scene, but rather the bathroom scene with Amy Adams. It's probably one of the most authentic and sophisticated actings I've ever seen. However, I thought she's very inconsistent with her accent that ScarJo in Don Jon made her sound like an amateur. Jeremy Renner's also kind of awkward in some of his scenes. He's definitely the weakest in the bunch.

If I were to rank their performances it would be:
1. Amy Adams
2. Christian Bale
3. Bradley Cooper
4. Jennifer Lawrence
5. Jeremy Renner

12 Years a Slave

Director: Steve McQueen
With: Chiwetel Ejiofor, Michael Fassbender, Lupita Nyong'o, Sarah Paulson, Benedict Cumberbatch, Paul Dano, Adepero Oduye, Paul Giamatti, Brad Pitt

Truly a masterpiece. This is from someone who tends to claim every good film a masterpiece but repeatedly restrains himself of doing so because it's such a precious word that only few things deserve to be called one.

We've been taught in our history classes how horrible slavery was, may it be in our country or anywhere but in 12 Years a Slave, Steve McQueen emphasizes the horror of American slavery during the pre-Civil War in a whole new level. He's fearless in showing brutality that ensures us to have an emotional kick and provokes our sympathy for the slavery victims. It's also refreshing to see a very calculated film with firm cinematography and poetic script in a world where shaky shots and realistic dialogues are starting to become the 'thing'. That's why I can't help but compare this to films like Shawshank Redemption or Schindler's List or Forrest Gump - it reminds me of past iconic films and it is made to be a classic.

12 Years a Slave didn't stop from its commendable technical achievements, it's also filled with powerful performances by its ensemble. Chiwetel Ejiofor as Solomon Northup is a quiet yet an effective lead. What I love about his performance is that he finds balance in his character's vulnerability and fighting spirit. He didn't go overboard even in his most intense scenes especially at the end. Instead, he stayed true to his reserved character. He mastered the frown and agitation drawn on his face and he's consistent from start to end. On the other hand, his co-actor, Lupita Nyong'o, is my favorite in the film. There's so much passion in this actress that glimmers even outside the film. She's absolutely my favorite part of this year's awards season. Her Patsey is so iconic to me. It is very transparent that she made more of her character than what's written, and the outcome is beautiful. Patsey's naivety, femininity, youthfulness, longingness of having a better life and enthusiasm is such a joy to watch that despite all these qualities, she yearned to end her life, adding yet another complexity to her persona. Lupita Nyong'o brought out all of these with such life. She impressed me the most in her non-speaking scenes but her line "I stink so much I make myself gag" is ironically my favorite line as well. The whipping scene felt astoundingly real and that's because of Lupita's out of this world reactions that resound from the screen to our heart strings. I'm not crazy about Michael Fassbender and Sarah Paulson's performances but their commitment with their characters made for an engaging experience even with its vicious content. Honorable mentions are Adepero Oduye and Paul Giamatti.

I wish 12 Years a Slave came out 2 years early for I would probably appreciate Steven Spielberg's Lincoln more if I saw this before the latter. 12 Years a Slave made me ache for triumph to this injustice and Lincoln would have been a great catharsis from the nightmare that is shown in this film.

Dallas Buyers Club

Director: Jean-Marc Vallée
With: Matthew McConaughey, Jared Leto, Jennifer Garner

Prior to watching this film, I'm not too thrilled with any of its themes: AIDS, homophobia, AZT drug, etc. Yet I knew that it will be inspiring and there's a huge possibility that I would like it, mainly because of its buzz. It exceeded my expectations. I actually like it very much. Basically, the film asks you to feel sympathy for a bigoted straight guy named Ron Woodroof. A guy who might have helped hundreds of AIDS victims not through charity, but to earn money and to save himself. He might have a change of heart and outlook in life somewhere in the film but I choose to think that Woodroof is an imperfect character who made heroic deeds in his unintentional ways.

I'm not too fond of the story. It's entertaining in its own ways but I consider Dallas Buyers Club a performance-driven film. Yes, it has a great story to tell but it was easily outshined by the performances of Matthew McConaughey and Jared Leto. Seriously, they are AMAZING in this film. Both mastered the art of disappearing into their roles. Matthew McConaughey WAS Ron Woodroof. Jared Leto WAS Rayon. Both embodied their roles into perfection. I can't even pinpoint which one is better because both truly are stars of this film. Their chemistry is as excellent as their individual acts and their performances deserve all the awards that they got.