Predicting the winners of the 71st Golden Globe Awards - Film

I have a feeling that I'm either going to fail miserably (no American Hustle wins lmfao) or I'm going to predict most of these categories right like a motherfucker. I'm a newbie at this so we'll see tomorrow! Can't wait! Although I'm more excited about Tina Fey and Amy Poehler's jokes than the awards itself. :/

BEST MOTION PICTURE - DRAMA

"12 Years a Slave" (PREDICTED WINNER)
"Captain Phillips"
"Gravity" (ALTERNATE)
"Philomena"
"Rush"

I noticed last year that Golden Globes tried hard to be righteous and close with the critics buzz and all, so since '12 Years a Slave' is the frontrunner in Drama, I predict that it's going to win this category. Gravity for sure can snag it from 12 Years. It could go either way, I'm fine whichever of the two wins.

BEST MOTION PICTURE - MUSICAL OR COMEDY

"American Hustle" (ALTERNATE)
"Her"
"Inside Llewyn Davis"
"Nebraska"
"The Wolf of Wall Street" (PREDICTED WINNER)

I'm having a hard time to believe that a film by O. Russell beats a Scorsese film. But since American Hustle has more nominations than Wolf, I have a feeling that it has an edge compared to the latter. My prediction for this category is more of an optimistic prediction so let's go with Wolf for this category and if Wolf won't win, even if Hustle's my second choice, I hope Nebraska wins it.

BEST ACTRESS IN A MOTION PICTURE - DRAMA

Cate Blanchett "Blue Jasmine" (PREDICTED WINNER)
Sandra Bullock - "Gravity" (ALTERNATE)
Judi Dench - "Philomena
Emma Thompson - "Saving Mr. Banks"
Kate Winslet - "Labor Day"

This is Blanchett's to lose ever since the raving good reviews about her performance in Blue Jasmine came out. However, Sandra has always been the second runner up to Cate regarding buzzes so I wouldn't be surprised if Sandra wins this especially that her character is more likable and it's easy to vote for the likable one.

BEST ACTOR IN A MOTION PICTURE - DRAMA

Chiwetel Ejiofor - "12 Years a Slave" (PREDICTED WINNER)
Idris Elba - "Mandela: Long Walk To Freedom"
Tom Hanks - "Captain Phillips"
Matthew McConaughey - "Dallas Buyers Club" (ALTERNATE)
Robert Redford - "All Is Lost"

I'm very close to predicting Matthew McC as the winner, but I guess Chiwetel's undeniably balanced performance would be more appreciated by the people. I do think Robert Redford also has a chance though as this is GG's opportunity to give him a Best Actor award.

BEST ACTRESS IN A MOTION PICTURE - MUSICAL OR COMEDY

Amy Adams - "American Hustle" (ALTERNATE)
Julie Delpy - "Before Midnight"
Greta Gerwig - "Frances Ha"
Julia Louis-Dreyfus - "Enough Said"
Meryl Streep - "August: Osage County" (PREDICTED WINNER)

Personally, I would rather see a Julie Delpy or a Greta win in this category but we all know that that's not going to happen (I hope I'm wrong). But anyway, it's kind of funny that Amy and Meryl seem like the two actresses fighting for the last spot at the Oscars Best Actress category and here they are, frontrunners in GG. I say, it's easier to reward Meryl. But out of all the American Hustle nominations, I would be okay if they win this category and they might!

BEST ACTOR IN A MOTION PICTURE - MUSICAL OR COMEDY

Christian Bale - "American Hustle"
Bruce Dern - "Nebraska" (ALTERNATE)
Leonardo DiCaprio - "The Wolf Of Wall Street" (PREDICTED WINNER)
Oscar Isaac - "Inside Llewyn Davis"
Joaquin Phoenix - "Her"

Part of me thinks that they'd reward Bruce Dern because, like my reason for Robert Redford in the drama category, this is their opportunity to give him the award. But they seem to love Leo more so I say, Leo wins this category.

BEST SUPPORTING ACTRESS IN A MOTION PICTURE

Sally Hawkins - "Blue Jasmine"
Jennifer Lawrence - "American Hustle" (ALTERNATE)
Lupita Nyong'o - "12 Years a Slave" (PREDICTED WINNER)
Julia Roberts - "August: Osage County"
June Squibb - "Nebraska"

To be quite honest, I think JLaw has this in the bag. But positive vibes for Lupita, just because I really love her performance in Slave. I stink so much I make myself geyggg FTW!

BEST SUPPORTING ACTOR IN A MOTION PICTURE

Barkhad Abdi - "Captain Phillips"
Daniel Brühl - "Rush" (ALTERNATE)
Bradley Cooper - "American Hustle"
Michael Fassbender - "12 Years a Slave"
Jared Leto - "Dallas Buyers Club" (PREDICTED WINNER)

Everyone thought that Jared Leto was going to sweep this category. He's snubbed in BAFTA though but I think his reign as the frontrunner in this category is gonna continue not only here in GG, but in the Oscars as well.

BEST DIRECTOR - MOTION PICTURE

Alfonso Cuarón - "Gravity" (PREDICTED WINNER)
Paul Greengrass - "Captain Phillips"
Steve McQueen - "12 Years a Slave" (ALTERNATE)
Alexander Payne - "Nebraska"
David O. Russell - "American Hustle"

It could go either way between Cuarón andf McQueen, with O. Russell as the dark horse. I say, it'd be a travesty if O. Russell beats the two frontrunners.

BEST SCREENPLAY - MOTION PICTURE

Spike Jonze - "Her" (PREDICTED WINNER)
Bob Nelson - "Nebraska"
Jeff Pope and Steve Coogan - "Philomena"
John Ridley - "12 Years a Slave" (ALTERNATE)
Eric Warren Singer and David O. Russell - "American Hustle"

BEST FOREIGN LANGUAGE FILM

"Blue is the Warmest Color" (PREDICTED WINNER)
"The Great Beauty" (ALTERNATE)
"The Hunt"
"The Past"
"The Wind Rises"

BEST ANIMATED FEATURE FILM

"The Croods"
"Despicable Me 2"
"Frozen" (PREDICTED WINNER)

I wish The Croods miraculously wins this.

BEST ORIGINAL SONG - MOTION PICTURE
"Atlas" - "The Hunger Games: Catching Fire"
"Let It Go" - "Frozen" (PREDICTED WINNER)
"Ordinary Love" - "Mandela: Long Walk to Freedom"
"Please Mr. Kennedy" - "Inside Llewyn Davis"
"Sweeter Than Fiction" - "One Chance"

Young and Beautiful :(

BEST ORIGINAL SCORE - MOTION PICTURE

Alex Ebert - "All is Lost"
Alex Heffes - "Mandela: Long Walk to Freedom"
Steven Price - "Gravity" (PREDICTED WINNER)
John Williams - "The Book Thief"
Hans Zimmer - "12 Years a Slave" (ALTERNATE)

Alex Ebert to upset this category!


I did a great job in my Golden Globes Nominations Prediction having 3 main categories perfectly predicted. I really hope it continues tomorrow, but I'm letting my bias cloud my judgement so I'm ready for whatever.


Let me know your thoughts and predictions! :)

DECEMBER 2013: All Is Lost and Mandela: Long Walk To Freedom

All Is Lost

Director: J.C. Chandor
With: Robert Redford

I love survival films and we're blessed to have so many in 2013. All Is Lost is one and I was really excited when I first saw its trailer because it looked like it's going to be a difficult yet fun (and dramatic) adventure ala Life of Pi. But there is no fun in All Is Lost. As Robert Redford's character struggle in the sea, alone with his yacht, the film is really mindnumbingly silent and depressing. It doesn't help that there's almost no dialogue in it and it's also accompanied by Alex Ebert's eerily creepy score, emphasizing the character's loneliness that will definitely make you feel like death is upon you. It's a total downer. It is such a quiet film focused on a character with eyes having almost no emotions, you can't help but wonder what's in this reserved character's mind more especially that the film started with a philosophical note hinting that it was written by him in the middle of his journey.

I thought J.C. Chandor did a great job in building up the character though, as it took a long time for him to break down. It's as if through this means, he made sure that he grips the audience as they observe on what this mysterious character is going to do next with his limited options. Robert Redford supported this manner by being so nonchalant and mysterious. He singlehandedly carried the film for sure but didn't carry it as high as I expected until that FUCKKKKKKK moment which may be the only time he impressed me in this film. :/ But after that, he went back to being okay. Yes, it's hard to convey a message without saying anything and depending everything with his facial expressions, but I got none from him. :/ One may argue that Redford made his character more authentic, but I find that absurd because he's so calm in the midst of all those horrible comeuppance.

At the end of the film, one would think it is a one heck of an abstract because there are so many possible meanings that may be implied by the film. One possible meaning is that the main character is a wandering ghost trying to survive the purgatory of life. This could suggest why he's so quiet and calm throughout the film. LOL. Another possible meaning is that when the main character finally lost all of his hope, that's when he found the light to survive. LOL I could go on and on but I do think that the end was made for us to ponder, to reflect, and Chandor succeed in that aspect. The end made me understand the quiet approach shown and the haunting vibe displayed throughout the film.

Mandela: Long Walk to Freedom

Director: Justin Chadwick
With: Idris Elba, Naomie Harris

I didn't expect Mandela: Long Walk to Freedom to earn some nods from some of the major awards guilds. We still don't know if it's going to gain some Oscar nods but if it does, then kudos to Harvey Weinstein. ;)

Mandela: Long Walk To Freedom runs for 2 and a half hours, long enough to establish a decent biopic but everything went wrong when every scene seems like they're not allowed to last more than 1 minute.  I don't know much about Nelson Mandela (yes, sue me) but I can tell from watching this film that he has a lot of achievements and very important ones, for that matter. Why? Because they sacrificed the quality of the film by bloating it with Nelson Mandela's numerous achievements and good deeds. It moves so fast that it's hard to savor anything from the film. The best thing out of this is that the film never dragged, but one would feel exhausted after finishing the whole film.

Some of its good points, though is that it didn't patronize Nelson Mandela. Well, it's hard to create a film without being gracious to him after what he did but it's not vacant of Mandela's imperfections. Still, we all learn from the film how unbelievably KIND Nelson Mandela was. Another good point are the performances of Idris Elba and Naomie Harris. Idris Elba is an effective leading man here as he managed to portray an icon with such class, passion and poise. On the other hand, Naomie Harris as Winnie Mandela shocked the hell out of me with her powerful showing. No kidding with the shock as I could not explain where her amazingly loud, full and deep voice is coming from. With her performance, I can tell how strong and independent Winnie Mandela is. If it were up to me, she's up there among the best supporting actresses in 2013 films.

The life of Nelson Mandela, to me, is something that would probably catered better in a TV series. One can argue that Clint Eastwood was successful in Invictus, another film about Mandela. But instead of tackling Mandela's whole lifetime, Eastwood focused on a single Mandela subject with other major characters.  That's the main problem of this film, it didn't know when to stop, didn't know when to trim. But then again, I came out of watching this film learning more about how compassionate Nelson Mandela was about people and I guess, that's what matters. One thing that stayed with me is this quote:

"No one is born hating another person because of the colour of his skin, or his background, or his religion. People must learn to hate, and if they can learn to hate, they can be taught to love, for love comes more naturally to the human heart than its opposite." - Nelson Mandela, Mandela: Long Walk to Freedom

DECEMBER 2013: Boy Golden, Crystal Fairy and The Hunt

 

Boy Golden

Director: Chito Roño

With: Jeorge Estregan, KC Concepcion, John Estrada, Eddie Garcia, Gloria Sevilla, Dick Israel, Leo Martinez, Roi Vinson, Tonton Gutierrez, Mon Confiado, John Lapus

 

Boy Golden

Full writeup

  

 

 

Crystal Fairy

 

Director: Sebastián Silva

With: Michael Cera, Gaby Hoffmann, Juan Andrés Silva, José Miguel Silva, Agustín Silva

It's always a pleasant surprise whenever you watch a film where you don't have any clues about the plot, and ended up LOVING it. I only read about Crystal Fairy in a Buzzfeed article with the list of 2013 great films people probably haven't seen. Found it interesting, so I looked for a copy and watched it. As I was watching it, I realized that Gaby Hoffmann was playing Crystal Fairy, an eccentric hippie who was accidentally tag-alonged by Jamie (Michael Cera) in his trip with his friends to a Chilean beach. I haven't seen any Gaby Hoffmann film since Now and Then so it was delightful to see her in this especially in a challenging role like Crystal Fairy.

Despite having completely opposite roles, Both Michael Cera and Gaby Hoffmann gave equally marvelous performances. Most people would probably give Gaby Hoffmann the recognition of being the best actor in this film, I can see why, she's amazing. But for me, Michael Cera is the superior actor in this. From megalomaniac levels of annoying, he morphs into a vulnerable and lovable character. And he's convincing and natural throughout the film. Having said that, Gaby Hoffmann won my heart because she's too adorable in this. I always have a soft spot for weird and quirky characters in films and even on TV. Hello Phoebe Buffay! and Crystal Fairy is a great addition to these characters. I think she just climbed up as my top favorite 2013 film character but we'll see. :) I also love that its soundtrack mainly consists of Edward Sharpe and the Magnetic Zeros' songs, suits Crystal Fairy's hippie persona so well.

Aside from great performances and awesome soundtrack, Crystal Fairy is one heck of a hilarious adventure. With Sebastián Silva's articulate screenplay and sharp direction, Crystal Fairy succeeds in making me uncontrollably laugh so hard. Imagine being in a trip, where you secretly abhor one of your companions while the rest of your friends are fine being with that person. Hah! It maybe slight for some, but I reckon that the key to appreciate this film is to not take it seriously and trust me, it will lead you to a happy place and when you're finally comfortable in that happy place, it will shock you with a wistful twist. Everything about Crystal Fairy fell into its right place and I feel like I understand the whole point of the film because of my attitude towards it. :3 Also, isn't it fun watching people in a drug trip being high and funny? You know you do! Just imagine you with your friends being the only sober one while the rest of them are drunk as hell. :)

The Hunt

Director: Thomas Vinterberg

With: Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkopp

 

Adding up to Doubt, Atonement and A Separation, The Hunt is another riveting film about a person being falsely accused of a misbehavior. The film follows Lucas (Mads Mikkelsen), a kindergarten teacher who becomes the object of his community's hysteria after being accused of sexually assaulting his pupil, Klara (Annika Wedderkopp).

A film with a subject like this is always captivating (and frustrating) as the audience knows the truth while the characters surrounding the person being falsely accused are blinded by the wrong and malicious information, especially in this film where the false information came from a little girl. People are taught by the saying that children always tell the truth but in this film, it's proven otherwise.

Mads Mikkelsen showed a poignant performance portraying a man with a complicated background. His performance, however, made ordinary by his co-star, Annika Wedderkopp who certainly gave a breakout performance at such a very young age. I am uncertain about her age but the fact that she played a little girl involving serious and mature stuff like stiff penis and blasphemous accusations, she is definitely someone that stood out in this film. Not to mention, there's a scene where someone spit on her face.

Overall, The Hunt for me is alright. It's an inferior version of other films with the same subject. As much as I love the climax of the film, the first part is way stronger than the rest. There are several characters in the film where I felt like many of their storylines didn't come to full circle and even if it did for some, it ended up anticlimactic and lame. It's unsatisfactory in terms of storylines, where most of what happened felt skimpy. I like the ending though, as it gives another layer to a story like this that's been done with similar endings before. 

DECEMBER 2013: Fruitvale Station, We're The Millers and Saving Mr. Banks

Fruitvale Station

Director: Ryan Coogler
With: Michael B. Jordan, Melonie Diaz, Octavia Spencer

Fruitvale Station tells the true story of Oscar Grant's experiences on the last day of his life before he was shot in cold blood by a police officer in the early morning hours of New Year's Day 2009.

I never heard about Oscar Grant's story before the film became prominent but I learned that several videos of the police officer fatally killing Oscar Grant went viral in America, and perhaps, worldwide. It's always hard yet interesting to watch films that break your heart especially if it's a true story. What more to create and direct a film with a sensitive story like this where an innocent man was killed without knowing the full story behind the scenes. Ryan Coogler did that and he gave justice to the film by not only narrating Grant's death, but also making us viewers know Grant's life with his family, particularly with the three women in his life: his wife, mother and daughter. Michael B. Jordan also supports Coogler's brilliance by his portrayal of an imperfect, yet willing to be a better person Oscar Grant. Michael B. Jordan acts with so much charm and boldness that makes us feel close to his character. Melonie Diaz as Oscar Grant's wife is also a good supporting actress for B. Jordan's performance as she showed her distinctiveness by depicting a strong, independent yet loving wife and also made sure that she's worth a mention. But the winner for me is Octavia Spencer who played as Oscar Grant's mother, whom eclipsed her performance as Minnie in The Help. I consider her as the main instrument why this true story drama is touching. There's nothing more sad than seeing a mother mourn for the loss of, what she referred in the film, as her baby. Spencer showed such good control and class with her acting by displaying braveness, calmness and sorrow as a mother hoping to see his young son smile again.

Overall, I thought it's a heartbreaking film. Oscar Grant, who was hoping to change, who was hoping to prove to his loved ones how much he loves them cannot prove it to them anymore. Whether they made a fabricated story, Fruitvale Station shows that this tragic incident may happen to any family like Oscar Grant's nd it would be devastating as hell. Sad film. D:

We're The Millers

Director: Rawson Marshall Thurber
With: Jason Sudeikis, Jennifer Aniston, Emma Roberts, Will Poulter, Kathryn Hahn, Nick Offerman

The rave this film got from my friends piqued my interest into seeing this film. I'm not the biggest fan of comedies so I wasn't really curious about it. It's kind of funny because I actually watch lots of TV sitcoms but there's something about comedy films that don't excite me, something that says they're not worth the money to see them in theaters. Having said that, I LOVE We're The Millers. Huge fan of FRIENDS here! so it certainly benefited from the Jennifer Aniston casting albeit there are many times when I thought that she's bored to tears like she's wasting her time doing the film. But other than Jennifer, her co-stars Jason Sudeikis, Emma Roberts and the newcomer Will Poulter brought something fresh to the table. They're all unique so it was a riot of different kinds of personalities, characters and humor. It's a teamwork of great comedy and perhaps, I could go ahead and say that it's the family version of The Hangover and Bridesmaids. It has a lot of vulgar and adult humor but for some reason, they're never offensive (at least for me). With its numerous punch lines and funny scenes, it's also not devoid of unpredictability for I can name some scenes that I didn't see coming and had me burst out laughing. One is the 'Waterfalls' rap scene which I thought was genius, the killing of the baby marijuana is another - thanks to Kathryn Hahn's prim antics and Jennifer Aniston's Rachel Green-like performance in that scene, Black Cock Down is one too, alol. The biggest surprise of all is the swollen penis scene. I never imagined they would show a gross thing like it that I was expecting that the camera would pan on the other characters' reaction upon seeing it, but they went THERE, the swollen penis. LOL

I do think that We're the Millers is a success and with its ending, I definitely sense a sequel. Betting that it would be a fail, I would still support it. They have chemistry and they have a lot of room in improving the Millers family storyline.

Saving Mr. Banks

Director: John Lee Hancock
With: Emma Thompson, Tom Hanks, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Colin Farrell

Saving Mr. Banks is inspired by the untold backstory of Walt Disney's negotiation to get the rights for 'Mary Poppins' from the author of the book series herself, P.L. Travers.

There are so many good things about Saving Mr. Banks. For one, it stars both 90s multiple Oscar winners, Emma Thompson and Tom Hanks. The film reminds us how great these actors are. Yes, they've always been great but they're extremely likable in this. It is such a delight whenever both of them are on screen together. Emma Thompson's facial expressions never cease to fail and her constant pffts, ughs and tss are masterfully executed. Tom Hanks, on the other hand, is as charismatic as ever especially that he's playing another charismatic character. It's amusing to watch them play their own versions of the extreme opposite personalities of P.L. Travers and Walt Disney. Both are polarizing in their own ways.

The fact that I only have few knowledge about the characters in the film, John Lee Hancock guaranteed that one wouldn't feel out of place with the film even without seeing the real 'Mary Poppins'. Although, I bet it would have been finer if I've seen it for familiarity. Because you see them trying to adapt the book into a film, from how 'Mary Poppins' developed into a musical live action fantasy. Actually, it made me realize that I've watched some of the clips in 'Mary Poppins' when I was a kid, specifically the 'Let's Go Fly A Kite' scene through VHS of 'Disney Sing-Along Songs' and I have COMPLETELY forgotten about it until I saw this film. It's so cool and refreshing to see it and isn't it always nice to connect some of your forgotten childhood film awakenings to the present ones? I feel like I've adapted one of the themes of the movie which is about bringing something from the past into the present that both Walt Disney and P.L. Travers had in the film except theirs were serious and kind of dark and mine's just petty. :3

Another thing that I commend about the film is that it doesn't rest on its great performers and on the main subject of Walt Disney courting Travers for the rights to 'Mary Poppins'. Instead, screenwriters Kelly Marcel and Sue Smith tell the other tale of where the book series was based. I shan't spoil it for you but it's the source of the sentimentality of the film. Despite this, it never takes away the cheerfulness nature of the film. It's more like a good balance of fun and tenderness. Also, I wouldn't end this writeup without mentioning Thomas Newman's score. I may not like it collectively, but some are magnificent enough for me to like it overall. Film score is important to me because it's one of the main reasons of my intense love for films that's why I'm glad 'Saving Mr. Banks' has wonderful tracks it deserves. It adds up to the many reasons why I'm passionate about it.

DECEMBER 2013: The Act of Killing, Blue is the Warmest Color, The Spectacular Now

 

The Act of Killing

Director: Joshua Oppenheimer

With: Anwar Congo

Full writeup

The Act of Killing

Blue is the Warmest Color

Director: Abdellatif Kechiche

With: Adèle Exarchopoulos, Léa Seydoux

Full writeup

Blue is the Warmest Color

The Spectacular Now

Director: James Ponsoldt
With: Miles Teller, Shailene Woodley, Brie Larson, Jennifer Jason Leigh, Kyle Chandler

For those who don't have any idea about The Spectacular Now and want to see it solely because of the trailer, I'm warning you, it's not as fun and romantic as it looks. Sorry to break it to you but this film is not a feel good movie. For sure. People were comparing this to The Perks of Being a Wallflower but the only similarity it has for the latter is its high school setting. The film stars Miles Teller as Sutter, a high school senior and happy-go-lucky party-goer who unexpectedly meets Aimee (Shailene Woodley) in a stranger's lawn after a wild drunken night. Aimee, a not-so-popular 'good girl' of their batch quickly falls in love with Sutter. What starts as a cute romance develops into a serious and quite dark reality of life. For a film with high school puppy love as its theme, this is definitely a heavy one.

Miles Teller and Shailene Woodley does not have the compatibility one look in a romantic film but their realistic connection and portrayal of an unlikely couple transcends to the outcome of their characters' relationship. It's like watching a real life romantic relationship unfold before your eyes when you know that one of them is not good for the other. As the film progresses, your love for Aimee increases but it is the other way around for Sutter, despite being the popular man that he is in his batch. It is in the third act when you'll finally understand Sutter's actions when he finds out deeper and more complex details about his life. It destroyed him leading to a very nostalgic Emma Morley-esque fate for one of the characters. (I also just want to include how it's kind of funny that Miles Teller in this film has an exactly similar slow-motion car scene in his other film Rabbit Hole. It's too comparable it's funny. :3) But anyway, at the end of the film, it gives one of the characters a dilemma whether to accept and give someone a second chance or move on from the people that hurt that character. For the other, it is about correcting one's mistakes and knowing that there's always time for another new and good beginning.

The Spectacular Now emphasizes that high school is indeed a phase in our lives where it's okay to commit mistakes, to make wrong decisions and to experience 'puppy problems' but only because it hones us to be the better version of our future selves. The ironic thing is that when we're in high school, we're not aware of these circumstances. We're carefree and we knew that we had our whole lives ahead of us. Aimee and Sutter are no different and I wouldn't be surprised if most people see themselves with them. But I wish the film was lighter because in the end, most of us consider high school as one of the best stages of our lives.